Waiata and haka
The words and expressions of a waiata or haka preserve the wisdom and knowledge of our ancestors.
Traditionally, waiata were performed in unison, with very few actions and no musical instruments or choreography. In contrast, contemporary waiata:
- are commonly sung with accompaniment
- include harmony
- are performed with a variety of actions (and often complicated choreography).
The waiata E te Hokowhitu a Tū (selected in this resource to represent C Company) is an excellent example of how Māori were adept at borrowing tunes of the era and fitting in their own lyrics to suit the context. It was written to the swing tune of Glenn Miller’s big band composition In the Mood, in the context of the 28th (Māori) Battalion, with particular reference to 2nd Lieutenant Moana-nui-a-Kiwa Ngarimu VC.
The waiata E Pari Rā (selected to represent D Company) is also said to be a borrowed tune from Germany, namely the Blue Eyes Waltz, in 3/4 timing.
Haka is often referred to as a posture dance. It can be associated with Māori men and war, but there are other types performed by women and children.
The haka peruperu (as in Ka Eke i te Wiwī’, the haka selected to represent A Company) is characterised by its leaping movements and was historically performed before a battle to invoke the god of war, Tūmatauenga, and frighten the enemy. This haka had to be precise and performed in total unison, to avoid bad luck falling on the warriors during battle.
A haka taparahi is a ceremonial haka. Examples are Ka Mate (which is said to celebrate the triumph of life over death), and Haane (the haka selected here to represent B Company), which celebrates, posthumously, the life and achievements of the soldier Haane Manahi.
Overview of waiata and haka in this resource
28th (Māori) Battalion
|A Company|| |
Ka Eke i te Wiwī
|B Company|| |
|C Company|| |
E te Hokowhitu a Tū
|D Company|| |
E Pari Rā